דוגמת הגשה של פרוייקט תיעודי-ושאלה
רק שאני לא רואה בה את כל מה שדרשו ממני כמו לדוגמא לוח זמנים משוער של ההפקה, ובכלל, הקונספט המפורט, תרגום ויזואלי של הרעיון, והצהרת כוונות, הן חלק מהטריטמנט, וצריכות להשתלב בסיפור, או שפשוט יש דף שהכותרת שלו היא: הצהרת כוונות, תרגום ויזואלי של הרעיון, קונספט, דוגמא של פרוייקט: 1. שם הפרוייקט: חיים בתל רומיידה 2. הצגה תמציתית של הפרוייקט ( כ- 50 מילים): בתל רומיידה שבע משפחות, שמתעקשות 14 שנים להמשיך ולאחוז בקראוונים על גבעה קטנה, בלב העיר חברון. הסרט יתאר את הקבוצה הזו, הכל כך שנויה במחלוקת בתוך החברה הישראלית, ושהשפעתה על על הויכוח הציבורי חורגת הרבה מעבר לממדיה, כפי שהם באים לידי ביטוי בשטח. נגישות אינטימית ונדירה ללב הקבוצה הקיצונית, המהווה את הסמן הימני של המתנחלים היהודים בישראל. 3. פורמט (פורמט צילום; אורך): וידאו. 56 דק´. צבע. עברית . תאריך משוער של תחילת ההפקה - מרץ 2000 תאריך משוער של סיום ההפקה - ספטמבר 2001סכום תקציב ההפקה (בדולרים) - 108,120$ סכום התמיכה של הקרן החברתית (בדולרים)- 59,000$. סכום הדרוש להשלמת הסרט (בדולרים)- 49,120$ 1. The Project (working title): Jesse´s Land 2. Short description of the project (maximum 50 words) There are 7 families living in Tel Rumeidah, "Jesse´s Land", which have been struggling for the past 14 years to continue holding on to hill in the center of Hebron. This group is the subject of a great deal of controversy in Israeli society, and its influence exceeds by far its actual dimensions. A once-in-a-lifetime accessibility to the extremist hue in the monolith known as "The Jewish Settlers". 3. Format (technical format; duration): Video 56 min. Hebrew. Date of the Production: March 2000 Date of release: September 2001 Production budget (in U.S. dollars): 108,120 Promised support: (in U.S. dollars) 59,000 Still missing support: (in U.S. dollars) 49,120 Broadcasters Other financiers: (in U.S. dollars) 59,000 The New Israel Foundation for Cinema and Television (The social Fund) – David Fisher JESSE´S LAND AN EXPLOSION WAITING TO HAPPEN SYNOPSIS "Jesse´s Land", an observational documentary, is about the banality of madness - the madness of the most fanatical Jewish settlers in Hebron. Their provocative presence can at any given moment ignite an already volatile situation. The film traces the daily lives and routine of the population of Tel Romeida, comprised of seven families and a total of 43 children. The name given to Tel Romedia by the settlers is "Jesse´s land". In their relentless efforts to preserve "normality", they ignore the surrounding political and military chaos and in no way acknowledge the existence of their Arab neighbors. Only religious celebrations and current excitement surrounding the tenuous governmental permission to build permanent housing punctuate their routine. However, a pre-requisite to this entails rescue excavations by archeologists. The film culminates with the controversial erection of the first permanent building in Tel Romeida. Over the next few months the world´s gaze will come to rest upon this tiny minority positioned in the furthest of outposts. These settlers are the champions of the National Religious Party´s cause, but time will tell if they are to become its martyrs. Their significance far outweighs their size and their existence is only made possible by the massive and disproportionate military presence surrounding them. Their unwavering belief that they belong here, in the midst of Palestinian Self Rule Territories and amongst a people they deem invisible, is to say the least, surreal. Through the eyes of Naomi Horowitz the 34-year-old domestic-militant and mother of six we witness a normalcy maintained, that verges on lunatic denial, set against a backdrop of mayhem. Naomi, her family and neighbors live in the land of Canaan, watched over by their forefathers. They charter their world through a series of biblical references. Humanity is constantly juxtaposed with fundamentalism. Naomi seduces us with her kind smile, gleaming home and nurtured children. Meanwhile the bars on her bedroom window, the huge military presence and her toddlers´ armored bus journey to nursery consistently serve as rude awakenings. It is the homely detail that is haunting, the banal veneer of domesticity. Through their daily intractability and their sheer force of will to exist here in Tel Romeida they consistently overshadow and intimidate their Arab neighbors. The people of Tel Rumeidah have a continuing apprehension regarding any sort of media coverage. Director Ruth Walk has managed to create relationships with the families, featured by trust. The significance of this is a once-in-a-lifetime accessibility to the extremist and most fanatic hue in the monolith known as "The Jewish Settlers". The film will end connecting the families´ personal and intimate occurrences with the actual political events and reality. After a year of following the Tel Rumeidah settlers´ daily routines, a year which preceded the current events – will the end be the violent confrontation which is taking place these very days, or possibly the evacuation of Tel Rumeidah, as part of a historical peace agreement?
